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Starting from the fragile and complex socio-political relationship between India and Pakistan in the era of contemporary warfare, I don’t want to be there when it happens investigates, in a broader sense, the psychology of trauma.

The Artist/Knight is an exhibition with and about artists imbued with the spirit of chivalry and who bring the knight to life in countless incarnations, ranging from gentle irony to unbounded passion.

In the current century the complex relationship between creative practice and political activism has gained new critical relevance. Closer to home, artists are responding to the ongoing turmoil and destruction by engaging with strategies of resistance against conformist reason, often registering dissent through dark comedy. 

When Adeela Suleman’s work was included in Hanging Fire: Contemporary Art from Pakistan at the Asia Society, New York, in 2009, her curiously inventive use of ready-mades consisting mainly of cooking utensils and household objects to make helmets, skeletal formations, and sculptures inspired intrigue and wonder about her practice.

Review of Adeela Suleman's works by Donald Kuspit